Lola, illustrious at the sleaziest nightclub in separate out history, meets, seduces and ultimately destroys the perpendicularly propertied teacher, Professor Rath. A tragedy? A comedy? It’s actually a surprisingly complex morality play: a celebration of Lola’s sexuality (it was Dietrich’s original pre-eminent role) and an ironic observation of Rath’s hindrance and masochism (Jannings conditions suffered more or better). The film looks and sounds its age, but remains enthralling. Sternberg shot English and German versions simultaneously.

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